August 19, 2008

Saroja [2008] Watch Online and Download Full Movie




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It’s quite hard to classify the movie as an action thriller, in spite of the all the gripping moments in a rundown abandoned industrial estate, because the boys with their witticisms keep the laughter coming. Nevertheless, Saroja is an interesting adventure and a fun flick.

Ajay (Shiva) is a TV serial star engaged to Pooja (Kajal Agarwal). Ganesh (Premji) is a happy-go-lucky guy who is forever falling in love. Rambabu (Vaibhav) is the heartbroken romeo, who sacrificed his love for Pooja for the sake of his friend Ajay. Jagapathybabu (Sharan), Rambabu’s elder brother, is married and has a daughter. These four guys are friends and when they get together, it’s laughter all the way. Bags packed and booze in tow, the guys hit the road – they have tickets to a cricket match taking place in Hyderabad.

The guys are enjoying the road trip but fate plays spoilsport; midway to Hyderabad, they are caught in a traffic hold up. It will be hours before the traffic will clear, and the boys decide they may as well get back to Chennai, so they’ll at least have a chance to catch the match on TV. But Ajay has a brilliant idea. He takes a detour – a small, rugged path that barely qualifies as a road, calling it a ‘shortcut to Hyderabad’. By nightfall, the guys are lost and find themselves in the midst of a maze-like abandoned industrial estate.

Meanwhile, in Hyderabad, Saroja (Vega), a class Twelve student is kidnapped. Vishwanath (Prakashraj), her father, is trying to get her back from the kidnapper (Sampath), who has demanded a ransom of Rs. 20 crores. Helping him is his best friend, police officer Ravichandran (Jeyaram).

How do the four heroes get entangled with Saroja’s kidnapping? How do they disentangle themselves from the trouble? That is the rest of the story.

On the acting front, all have played their parts well. The young troopers have carried off their roles in a convincing manner. The band of boys combine realism with humour and keep us entertained; Prakashraj and Jeyaram have proved beyond doubt why they are called veteran actors; Kajal is charming; Vega is endearing; and Nikitha is absolutely hot!

Another big highlight is Yuvanshankar Raja’s music. The background score and the songs throb with energy. ‘Dosth Bada Dosth’ is a well-made song in terms of music as well as picturization.

Director Venkat Prabhu has done quite a commendable job once again. He has managed to make a movie that combines action with comedy, without diluting the seriousness of the plot. After a full-fledged fun movie such as Chennai 600028, Venkat Prabhu has notched up one that has quite a fair share of twists, turns and pulse-racing moments. Even so, the comic streak that made his directorial debut a runaway success is what keeps Saroja alive and entertaining.

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Production: Vikram Krishna


Story, Dialogues and direction: A.Rajashekar

Star-casts: Vishal, Nayanthara, Upendra, Kota Srinivasa Rao, Ravi Kale, Prabhu Nepal, Sudha Chandran and many others.

Music: Harris Jayaraj

Vishal’s on screen debut as a cop is finally here. It has taken its time in the making, has had quite high expectations and has been aimed at taking Vishal one notch higher in Kollywood. Satyam also has the extra onus of maintaining Vishal’s enviable success in the past couple of years.The movie is a regular cop flick where one honest conscientious police officer takes on the corrupt forces in politics. Vishal plays a cop with a disturbed past (that is shown in flashback). He has experienced the ruthlessness of the corrupt politicians early in his life and decides to become a cop. His investigations on serial killings that have been going on in the city lead him to a very shocking finding, which links him to his past. He also uncovers a political conspiracy, several accounts of corruption and atrocity. Being a cop who is willing to take on any challenge, he finds himself drawn into the center of a dangerous maze. How he brings the criminal politicians to account forms the crux of the story.

At the outset, Satyam is a police story that has all the usual elements attached to it. Honesty and valor against cunning wickedness and power. It is more action and less investigation as the story gets closer to culmination. Suspense does not play a big part in the movie, except at a few points; one twist in particular scene comes as a surprise. However, overall there is a feeling that the tautness of the story has been compromised for action.

Vishal has toned his body, acquired a few well shaped muscles and flaunts his six pack abs. But unfortunately that does not help the fights interesting. Most of the stunts appear to be dragging with Vishal bashing up batch after batch of thugs who just don’t stop coming. The usual raw originality that one associates with Vishal’s stunts is sorely missing and the director seems to have missed a point here. But kudos to the crew for handling the car chase scenes, two of them especially, with panache. They have come out well on screen. There is nothing much other than action to mention in the movie. The climax scenes which could have become the highlight of such films have been replaced by a long drawn sermon by a bald Vishal (completely unnecessary) which makes the movie seem even longer.Satyam

First, congratulations to the director for some smart casting keeping in mind that the movie is a bilingual. There is a Telugu touch in casting. Vishal has nothing much to do except look serious and fight hordes of men. Kota Srinivas Rao and Ravi Kaalai play out negative roles with ease, Ravi Kaalai in particular has given a fine performance. Upendra, debuting in Tamil, has done a role that has grey shades and has carried it out well. His scenes with Vishal where they debate about the significance of justice are worth watching. Nayanthara fails to impress with her acting skills, a disappointment after Billa. The glamour quotient however has been maintained.

The movie does not have much scope for comedy but there are a few scenes where Senthil as Paneerselvam (the character from Indian) and Brahmanandam (Telugu comedian from Mozhi) as his assistant bring some kind of comic relief. Other attempts at comedy by Nayanthara (as a reporter) and her assistants fall flat. Music does not provide much delight, a surprise considering it has been done by Harris Jeyaraj. Chellame number gives a déjà vu feeling of Kaakka Kaakka but is soothing to the ears.Overall, Satyam is a Vishal show and there is no effort to hide that. But the director seems to have overdone the focus on Vishal and the movie drags along at times, the action gets too redundant and the tempo totally fades away. In technical aspect too, the movie does not have much to be talked about.






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An ex-con sent back to prison is forced to participate in society's most popular sport: brutal car races to the death. Loose revamp of the Roger Corman-produced exploitation classic Death Race 2000, directed by Paul WS Anderson and starring Jason Statham

Innocent man framed and cast into fearsome prison: check. Dystopian future where religious fundamentalists and faceless corporations rule: check. Cars with enough horse and firepower to make a demolition derby look like fairground dodgems: check. The simple set-up duly ticked off, gentlemen, start your engines.

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Although completely cheesy and predictable, this is actually a decent movie. It's funny, and Selena Gomez is absolutely amazing. She is such a talented actress and watching the movie is worth it just to see her steal all the scenes she is in. Katharine Isabelle and Emily Perkins are great as the awkward step-sisters. They do a great job at portraying a very strange take on the evil step-sister role. I definitely prefer this version to the one with Hilary Duff. Selena is a much better actress, and comes across as being a more real, and relatable character. She really seems like a girl that you would know and not like someone acting as the outcast. Her comedic timing is wonderful. Another Cinderella Story is an amusing, entertaining movie.


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A beautiful love story between two young people.

I liked this film a lot and people who want to see good romantic film (not like every Hollywood blockbuster) will be very happy and satisfied with this choice.

This film delivers to audience what it was supposed to deliver, a lot of emotions.

The director Todd Kessler did a fantastic job and I hope I will be hearing from him soon.

I've seen Elisabeth Harnois's performance in One tree hill and I understood that she is beautiful and talented actress but I didn't know she was so good. Jesse McCartney also was very good and I think this film introduced us with two great actors.


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All five of Tyler Perry's movies have wound up as big money-makers, but they have generally received cool-to-lukewarm reviews from critics (which is undoubtedly why his latest film, The Family That Preys received no advance press screening). The new Perry film, is an exception, however, garnering quite a number of positive reviews. Indeed, Bob Baker constructs his review of the film in today's (Monday) Los Angeles Times as a memo to Perry, writing, "Dude, what made you refuse to screen your film for critics before it opened Friday? I'm betting you would have received an earful of praise for your writing and directing." Carrie Rickey in the Philadelphia Inquirer is one of those shouting her praise. "Defiantly old-school, undeniably entertaining, Tyler Perry's The Family That Preys is a shiny, two-timing throwback to 1950s melodramas like Giant, those wellsprings of such prime-time soaps as Dallas and Dynasty. The writer/director/actor ... whips up the suds with the best of 'em," Rickey writes. Roger Moore's review in the Orlando Sentinel includes much criticism of the plot; nevertheless, he observes that the movie marks Perry's "most cinematically polished production to date, [showing] grand advances in [his] filmmaking education." Still, there are plenty of naysayers, as well. Stephen Holden in the New York Times writes that suds "cascade" through "this crude interracial fable." And Ty Burr in the Boston Globe comments that Perry has served up "a plate of leftovers, a bland, baldly written melodrama."


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